Reat design doesn’t just happen, and stunning design deserves to be celebrated. Each year the 99awards shine a spotlight on the india phone number list incredible creativity that comes from the platform and gives major props to our gifted global community. Last year we brought in our first ever jury of design professionals to weigh in on your work. And we’re doing it again this year, introducing you to some fresh talent while india phone number list we’re at it. Our 2020 panel is an inspiring bunch from all industries and walks of life (psst, squarespace and packlane)! We think you’ll love them as much as we do. Read on to find out how they fell in love with design, plus their best tips for successful creatives. Ready to be wowed? Take me straight to the nominees.
Let's go! The 2020 jury andrea pippins | print allison filice | illustration charlie smith | branding satu pelkonen | digital design miriam brafman | packaging will paterson | typography andrea pippins—andrea pippins illustrator celebrated author india phone number list and illustrator andrea pippins weighs in on the print category andrea pippins creates images that celebrate different standards of beauty. Her work explores ideas of empowerment for women and girls and highlights visual stories that are often overlooked. Her illustrations have been india phone number list published in communication arts, the huffington post, and the o magazine. With her celebratory and vibrant style, she hopes to inspire others to explore various forms of creative expression.
How and when did you get involved with the work you do today? Working for myself as a full-time illustrator/designer is something I wanted to india phone number list do for a long time. I had been working for several companies, like hallmark cards and tv before moving on to teaching design courses full-time as an assistant professor. I was also doing a lot of freelance work on the side: art commissions, branding, and illustration. In one job I got to india phone number list work with amazing colleagues and young people, and in the other I had total freedom over my creative endeavors. But then it got a little crazy. My schedule was very intense with trying to manage both workloads.